Roger Waters Pink Floyd hatten nun anscheinend drei musikalische Grundideen für THE WALL vorgesehen: 1. Fortführung des bewährten elegischen Floyd. Produktbeschreibungen. Pink Floyd - Wall - Double Cd. Rezension. Als sich die vier ehedem psychedelischen Reiter Pink Floyd sich nach. The Wall ist ein Konzeptalbum der britischen Rockband Pink Floyd. Es wurde am November in Großbritannien veröffentlicht. The Wall stellte nach den.
Pink Floyd – The WallPink Floyd began seven months of intermittent recording at Super Bear Studios and Studio Miraval in France on their next album, The Wall. 1 September Two months of work began on The Wall at CBS Studios, New York with The New York Philharmonic Orchestra and conductor/arranger Michael Kamen. Pink Floyd "Another Brick In The Wall" aus dem Jahr "Another Brick In The Wall" schrieb Roger Waters aus Protest gegen das System der Privatschulen in. The Wall ist ein Konzeptalbum der britischen Rockband Pink Floyd. Es wurde am November in Großbritannien veröffentlicht. The Wall stellte nach den Vorgängeralben Wish You Were Here und Animals eine neue Ausrichtung der Musik der Band dar.
Pink Floyd The Wall The making of the film, brick by brick VideoP̲ink Flo̲yd - T̲h̲e̲ W̲a̲l̲l̲ (Full Album 1979)
Mit smtlichen datenschutzrechtlichen Anfragen drfen wir Ja Mobil Lte Pink Floyd The Wall, durch deren Hufung er seine psychologische Ebene mitunter Pink Floyd The Wall fahrig gestaltet. - InhaltsverzeichnisSpanien Promusicae.
Books Video icon An illustration of two cells of a film strip. Video Audio icon An illustration of an audio speaker.
Audio Software icon An illustration of a 3. Now shackled to his bricks, Pink watches helplessly or perhaps fantasizes as his fragmented psyche coalesces into the very dictatorial persona that antagonized the world during World War II, scarred his nation, killed his father, and, in essence, affected his life from birth.
Robert Ezrin Original Music. David Gilmour Original Music. Nick Mason Original Music. Roger Waters Original Music. Richard Wright Original Music. October 23, Full Review….
April 27, Full Review…. July 15, Full Review…. December 21, Full Review…. August 27, Full Review…. July 4, Rating: 4. May 12, Rating: 3.
View All Critic Reviews Jun 25, The movie looks very suitable for the album what the songs mean in this film. The band is popular, the album is popular and the film is not popular enough.
I wish this was available on Blu-Ray. Film C Super Reviewer. Nov 04, I'd just listened to Pink Floyd's The Wall for the first time a month ago or so.
It completely blew me away and became an instant favorite; a complete sensory assault of passionate emotion, anger, and musical anarchy. Pink Floyd The Wall, directed by Alan Parker, attempts to bring Roger Waters' classic rock opera vision to the big screen and successfully does so.
While the highlights are the more surrealistic images and the animated sequences, the musical scenes are also worth noting if only for the fact that almost all of them perfectly capture the emotional resonance of the music listened to on its own.
If I had to choose, I'd listen to The Wall in the context of the album rather than the movie, but this is a compelling visual companion.
Ryan M Super Reviewer. Sep 05, It's "Tommy 2: Still Gotta Be On Drugs to Get It", only it has less cheesiness, more bleakness and, somehow, less plot than "Tommy".
This film is certainly less optimistic than "Tommy", and really, I'm pretty surprised, seeing as how we're talking about Alan Parker, who, by , already had such delightfully heartwarming classics under his belt as "Midnight Express" and "Shoot the Moon", and after this film, he continued to make such other uplifting fluff pieces as "Birdy" and, of course, the most optimistic of them all, "Angela's Ashes".
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Download as PDF Printable version. The Wall by Pink Floyd. BAFTA Awards . Progressive rock. Obscured by Clouds Pink Floyd — The Wall Unreleased.
La Carrera Panamericana New song, edited into two sections strictly for the film, but later released as one continuous song.
New song. Helicopter sounds dropped, teacher's lines re-recorded by Alex McAvoy. Re-mixed  with extra lead guitar, children's chorus edited and shortened, teacher's lines re-recorded by McAvoy and interspersed within lines of children's chorus.
Re-recorded completely with exception of guitar solo and its backing track. The lyric "Is it just a waste of time? A full-length song which begins with the music of, and a similar lyric to, "Empty Spaces".
This was intended to be on the original album, and in fact appears on the original LP lyric sheet. At the last minute, it was dropped in favour of the shorter "Empty Spaces" which was originally intended as a reprise of "What Shall We Do Now?
A live version is on the album Is There Anybody Out There? Screams added and phone call removed. The phone call was moved to the beginning of "What Shall We Do Now?
Groupie's lines re-recorded by Jenny Wright. Re-recorded completely  with a slightly faster tempo. Classical guitar re-recorded, this time played with a leather pick by guitarist Tim Renwick ,  as opposed to the album version, which was played finger-style by Joe DiBlasi.
Re-recorded completely with brass band and Welsh male vocal choir extended and without Waters' lead vocals.
Re-recorded completely with brass band and Geldof on lead vocals. Geldof unaccompanied on lead vocals. The song is taken from The Pros and Cons of Hitch Hiking , a concept album Waters wrote simultaneously with The Wall , and later recorded solo.
Geldof sings the lyrics to the melody of " Your Possible Pasts ", a song intended for The Wall that later appeared on The Final Cut.
Re-recorded completely  with Geldof unaccompanied on lead vocals. The audio in the background of this scene is from Gary Yudman's introduction from The Wall Live at Earl's Court.
Meanwhile, out in the garden, the second unit had the thankless task of working with six cats and three crates of doves, in a vain attempt to capture a single shot of a dove soaring into the sky.
We lost fifty doves and twenty pigeons before we grabbed the few necessary frames of the fluttering of wings. Eventually I decided to erect our own posts on a perfect spot on Epsom Downs, with the early morning sun bleeding across the field as Pink runs towards us.
The World War II sequences had been streamlined to a practical size by the time we dug in and transformed Burnham-On-Sea in Somerset into the Anzio bridgehead, complete with barrage balloons, bunkers and Italian gun emplacements.
There were a few complaints in the trench scenes when I introduced live rats amongst the piled up soldiers, but a strike by the extras was averted when an additional fee was negotiated with the promise that only non-biting, tame rats would be used.
For some reason, they fell for that one. Meanwhile our model Stuka planes were put into the air — the first of which unceremoniously nose-dived into the sand before we could even turn on the cameras.
The second plane had a similarly brief lease on life, but gave us the shot we needed before it disintegrated in mid air.
Geldof had his first taste of filming sitting in a chair in this alien landscape. Bob floated in the scarlet syrup, the camera slowly zooming out to a position, suspended upside down in the studio rafters.
Destroying the hotel room took no time at all. Bob launched himself, as usual, into each take with equal ferocity, cutting his hands quite badly each time until there was little left to break and we stopped to patch him up before he lost too much blood.
Sex scenes are always difficult to pull off and your first job as a director is to relax the actors, who in this case appeared to be more relaxed than I was.
Only the camera operator, focus puller, and myself were going to be there while we shot the scenes and we moved the speakers close to the bed, pumping up the volume of the playback tapes to maximum.
As the three of us encircled James and Eleanor — we were paid voyeurs with a Panaflex camera — the 40 crew crowded in the room next door must have wondered what the hell was happening as they heard the residual grunts and groans when the music stopped.
Our problem was the skinheads. How could we make them behave in a civilized and safe manner? The toughest section of the skinhead crowd was a group called the Tilbury Skins from South East London.
Our stunt co-ordinator had been working with the skins for a month previously at Pinewood, showing them the rudiments of film stunting and the way to kick someone in the face without breaking their nose and jaw.
Slowly we superimposed a sort of disciplined logic onto their violent behaviour — well sort of. I remember the crowd reactions as Geldof first made his entry for In The Flesh and then proceeded to sing the odious lyrics.
The sheer spectacle of the proceedings was very seductive and I can remember my fears that some in the audience were taking the diseased and demented Pink rather too seriously.
Only then do you realize the power you wield. The affair was given more credence, however, with Toto drummer Jeff Porcaro being brought in to play on Mother.
Mason and Wright were not the only people within the Pink Floyd circle to fall out of favour during the making of The Wall. By , the then warring band members found much to savour in their record and the shows that followed.
The finale is a musical asylum. It ends with Outside The Wall and I think some sort of hope. The first section is brilliant, the second patchily fascinating, and I sympathise with those who find it all too bleak to handle.The drawings would be translated into dolls for The Wall Tour, as well as into Scarfe 's animated segments shown during the tour and the film based on the album. MusicHound Rock. Swiss Albums Schweizer Hitparade . It initially received mixed reviews from critics, many of whom found it overblown and pretentious, but later received accolades as one of the greatest albums of all time. Daniel KaluuyaWolfgang Novogratz for his roles in " Black Mirror " and Get Outstars in Judas and Cassie Yates Black Messiah.