Stromboli Film

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The Priest Mario Sponzo Edit Storyline Living in an Italian refugee camp in , the beautiful Karin meets Antonio, a resident of the men's camp.

Taglines: Raging Island Raging Passions! Genres: Drama. Edit Did You Know? Trivia In the promotional material, Howard Hughes played up the parallels between the character she played and the recent indiscreet behavior of lead actress Ingrid Bergman.

He re-cut the film behind Rosselini's back and refused to screen it for the press. The film got talked about before it was seen. It was banned outright in Memphis, and the Roman Catholic church urged its priests not to see it.

Goofs When the police officer is typing the report, he does not strike nearly enough keys to produce the amount of information shown on the paper.

Quotes Karin : Good morning, Rosaria, would you like to come in and see the house? Aunt Rosaria : No. Karin : But what is the matter? Why are you all against me?

I haven't hurt anyone. Why does everyone act like this? Aunt Rosaria : Why you do things like this? You are not modest.

Karin : But I haven't done anything wrong! However, the US version was eventually made without the director's input. Rossellini protested, and claimed that RKO's 81 minute version was radically different from his original minute version.

He sent a telegram to Joseph Breen , director of MPPDA 's Production Code Administration , urging him to compare the original script with the RKO version, as he felt that the religious theme he had written into the screenplay had been lost.

It lists credits that were missing in the first RKO version, but it still has as the production year, and the same MPAA number as the 81 minute version.

This indicates that the differences were resolved rather quickly. Some confusion surrounds the Italian release date of the film.

Modern sources list the release year as either or , [3] but an Associated Press article dated March 12, reported that the film had not yet been shown publicly in Italy.

Stromboli is perhaps best remembered for the extramarital affair between Rossellini and Bergman that began during the production of the film, as well as their child born out of wedlock a couple of weeks before the film's American release.

In Italy, Stromboli was awarded the Rome Prize for Cinema as the best film of the year. Initial reception for Stromboli in America, however, was very negative.

Bosley Crowther of The New York Times opened his review by writing: "After all the unprecedented interest that the picture 'Stromboli' has aroused — it being, of course, the fateful drama which Ingrid Bergman and Roberto Rossellini have made — it comes as a startling anticlimax to discover that this widely heralded film is incredibly feeble, inarticulate, uninspiring and painfully banal.

Cut or not cut, the film reflects no credit on him. Given elementary-school dialog to recite and impossible scenes to act, Ingrid Bergman's never able to make the lines real nor the emotion sufficiently motivated to seem more than an exercise The only visible touch of the famed Italian director is in the hard photography, which adds to the realistic, documentary effect of life on the rocky, lava-blanketed island.

Rossellini's penchant for realism, however, does not extend to Bergman. She's always fresh, clean and well-groomed. Coe of The Washington Post lamented, "It's a pity that many people who never go to foreign-made pictures will be drawn into this by the Rossellini-Bergman names and will think that this flat, drab, inept picture is what they've been missing.

In Britain, The Monthly Film Bulletin was also negative, writing that Rossellini's "extempore method is sadly out of place in a film dealing with personal relationships and, although there are indications that Karin is intended to be a complex and interesting character, these are never developed, and her motives and actions remain unpredictable.

Early drafts of the story, an early edit of the film, and the original American release had her returning to her husband; Rossellini's cut, however, leaves her on the mountain.

The director later said that he didn't know what she did when the film ended, that he simply wanted to take her to a "turning point.

Tag Gallagher , in his copiously researched, lively, fascinating biography The Adventures of Roberto Rossellini points out that Stromboli reflects both Rossellini's and Bergman's lives: Bergman was pregnant with Rossellini's child; he felt he was helping her escape a stultifying marriage.

Gallagher also points out that, at the time Stromboli was made, Rossellini gave it an unmistakably Christian interpretation, saying that at the end "God [forces] her to invoke the light of Grace.

This is a bit of a paradox because Rossellini was not a conscious stylist. He was baffled when a French film student asked a specific question about the editing of one of his films, and later worried aloud that the student's films would resemble "algebra.

He favored no compositional or editing motifs. His images feature no particular use of angles or lines or flatness or depth. His juxtapositions of moving and still shots, of long shots and close-ups, seem to follow no system.

The only thing that is important is rhythm. He never expects whatever it is. What is important for me is the waiting. He does make meaningful visual choices.

Despite the mounting confrontations between Karin and Antonio and between Karin and the islanders, he rarely juxtaposes oppositional close-ups or even intercuts two people, one from the back, in traditional reverse-angle shot-countershot; when he does, the scenes have a powerful impact because they're so much at odds with the rest of the film's imagery.

Characters are mostly depicted in context: in two-shots showing both people in the conversation , in long takes in which a one-shot becomes a two-shot, in images that set figures within the spectacular landscape.

Karin seems also to be struggling to construct a new reality for herself in a postwar world, and in this regard her performance becomes a kind of interior, emotional neorealism.

Rossellini also uses editing to gesture us, as well as Bergman, toward a more all-encompassing embrace of the world, especially as a means of guiding us through the aspects of fiction and documentation present in his work.

It is difficult to imagine the work of Eric Rohmer who thought of Stromboli as one of the great Catholic films , especially something like Le rayon vert The Green Ray , , without the experimental example Rossellini sets here.

Today, Stromboli gets discussed most often in relation to its ending, which remains one of the most ecstatic religious epiphanies in all of narrative cinema.

Strabo writes that people believed that this is where Aeolus lived. A significant geological feature of the volcano is the Sciara del Fuoco "stream of fire" , a big horseshoe-shaped depression created in the last 13, years by several collapses on the northwestern side of the cone.

Mount Stromboli has been in almost continuous eruption for the past 2,—5, years. This Strombolian eruption , as it is known, is also observed at other volcanoes worldwide.

Eruptions from the summit craters typically result in a few short, mild, but energetic bursts, ranging up to a few hundred meters in height, containing ash, incandescent lava fragments and stone blocks.

Stromboli's activity is almost exclusively explosive, but lava flows do occur at times when volcanic activity is high: an effusive eruption occurred in , the first in 17 years, and again in , , and — Volcanic gas emissions from this volcano are measured by a multi-component gas analyzer system , which detects pre-eruptive degassing of rising magma, improving prediction of volcanic activity.

On 3 July , two major explosive events occurred at around local time, alongside 20 additional minor explosive events identified by Italy's National Institute of Geophysics and Volcanology.

A hiker near the volcano's summit was killed after being struck by flying debris when the eruption began. The two villages San Bartolo and San Vincenzo lie in the northeast while the smaller village Ginostra lies in the southwest.

In the early s a few thousand people inhabited the island, [14] but after several waves of emigration the population has numbered a few hundred since the mids.

From Wikipedia, the free encyclopedia. Redirected from Stromboli volcano. For other uses, see Stromboli disambiguation. Aeolian Islands , north of Sicily Italy.

Retrieved 20 July Global Volcanism Program. Smithsonian Institution. Retrieved 1 January

Karoline Herfurth. Castle Rock Beste Filme Filmtipps Filme bewerten Top Trailer Listen Top Stars Serien Beste Serien Serientipps Listen Top Stars News Film News Pickel Verdecken News Streaming News Community Blogs Podcast Kino Neu Demnächst Tipps Lieblingskinos Zu Hause Streaming Streamingvergleich DVD DVD Tipps DVD Mtv Tv-Sendungen TV Gewinnspiele. Roland Gross. Der Film wird in den Bars auf Stromboli Immortan Joe gezeigt.

"Stromboli" was filmed on location (in ridiculously primitive surroundings), with most of the cast made up of local fishermen that Rossellini recruited for his movie. Bergman even had to climb the volcano and live in a shack with no electricity and plumbing. The stark, bleak shots of the island and its tiny village are amazing, breathtaking. Stromboli, also known as Stromboli, Land of God (Italian: Stromboli, terra di Dio), is a Italian-American film directed by Roberto Rossellini and featuring Ingrid Bergman. The drama is considered a classic example of Italian neorealism. Living in the shadow and profile of an active volcano plays large in this film as the Island of Stromboli is actually an active volcano. Historicity comes in again masterfully as Rossellini depicts the "Mattanza". This is a fishing event for pound blue fin tuna that dates backs to Phoenician or Carthage historical periods. The first film that they wound up producing together, Stromboli (), combines some of the aesthetic strategies of neorealism — the documentation of real islanders within a fishing community, an emphasis on the harshness of one’s physical environment — with an extension into the realm of melodrama as well as the intimation of a Christian consciousness. One might even summarize what’s going on in this first film by saying that Rossellini drops Bergman, then the most famous movie. Movie Info Lithuanian Karin (Ingrid Bergman) flees her war-ravaged home country and winds up in Italy, where she's sent to an internment camp. There, she meets Antonio (Mario Vitale), a POW who's.

Stromboli Film Filmfans bestehen daher darauf, wie Sie das nennen. - Stromboli (Terra Di Dio)

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Karin, ein junges Mädchen, das aus Litauen ausgewandert ist, versucht, sich in einem kleinen Dorf unterhalb des Stromboli ein neues Leben aufzubauen. Obwohl sie dort nur schwer akzeptiert wird und auch unter den Demütigungen ihres Mannes Antonio. Stromboli ist ein Filmdrama des italienischen Regisseurs Roberto Rossellini aus dem Jahre mit Ingrid Bergman in der Hauptrolle. Die Folge war ein Aufruf zum Boykott des gemeinsamen Films. Dadurch hatte der Film bei seinem Erscheinen eher eine geringe Wertschätzung und ist im Lauf. Stromboli - der Film - Inhalt, Bilder, Kritik, Trailer, Kinostart-Termine und Bewertung | sad-eye-never-lie.com

No Score Yet Name That Tune View All. Get Zara Kleider Festlich sneak peek of the new version of this page. And I won't try to get it. Stromboli. Directed and written by. Roberto Rossellini. With. Ingrid Bergman. Rating. Masterpiece. By Fred Camper. In Ingrid Bergman— probably then the most famous movie actress in the world — came upon a Manhattan theater showing Roberto Rossellini's Paisan. Parents Guide. Architecture Greek Revival architecture Astronomy Literature Mathematics Medicine Music Musical system Pottery Sculpture Technology Theatre Greco-Buddhist art. London, England: Walton and Maberly. Was this review helpful to you? DID YOU KNOW? Linear A Linear B Cypriot syllabary Greek alphabet Greek numerals Attic numerals. The Monthly Film Bulletin. Share this:. City states Politics Military. Despite the mounting confrontations between Karin and Antonio and between Karin and the islanders, he rarely juxtaposes oppositional close-ups or even intercuts two people, Stromboli Film from the back, in traditional reverse-angle shot-countershot; when he does, the scenes have a powerful impact because they're so much at odds with the rest of the film's imagery. Kings of Argos Archons of Athens Netflix House Of Money of Athens Kings of Commagene Diadochi Kings of Macedonia Kings of Paionia Attalid kings of Pergamon Kings of Pontus Kings of Sparta Tyrants of Syracuse. It's not my fault if I'm different. New York Times. Aeolian Islandsnorth of Sicily Italy.