Das harte Leben auf der düsteren Vulkaninsel Stromboli wird für die frisch verheiratete Karen zur unerträglich Karen nimmt den Antrag an und zieht mit ihm auf seine Heimatinsel Stromboli - aber nur, weil ihr Wikipedia: Stromboli (Film)I. Stromboli. Kinostart: Erster Film, bei dem Ingrid Bergman für Roberto Rossellini vor der Kamera stand. Seinerzeit wurde der Film vom Privatleben. Komplette Handlung und Informationen zu Stromboli. Karin, ein junges Mädchen, das aus Litauen ausgewandert ist, versucht sie, sich in einem.
total klassischDie Folge war ein Aufruf zum Boykott des gemeinsamen Films. Dadurch hatte der Film bei seinem Erscheinen eher eine geringe Wertschätzung und ist im Lauf. Stromboli jetzt legal online anschauen. Der Film ist aktuell bei iTunes, Pantaflix verfügbar. In den Jahren nach dem Zweiten Weltkrieg strandet die Litauerin. Komplette Handlung und Informationen zu Stromboli. Karin, ein junges Mädchen, das aus Litauen ausgewandert ist, versucht sie, sich in einem.
Stromboli Film Navigation menu VideoStromboli Terra di Dio - 2a parte
The Priest Mario Sponzo Edit Storyline Living in an Italian refugee camp in , the beautiful Karin meets Antonio, a resident of the men's camp.
Taglines: Raging Island Raging Passions! Genres: Drama. Edit Did You Know? Trivia In the promotional material, Howard Hughes played up the parallels between the character she played and the recent indiscreet behavior of lead actress Ingrid Bergman.
He re-cut the film behind Rosselini's back and refused to screen it for the press. The film got talked about before it was seen. It was banned outright in Memphis, and the Roman Catholic church urged its priests not to see it.
Goofs When the police officer is typing the report, he does not strike nearly enough keys to produce the amount of information shown on the paper.
Quotes Karin : Good morning, Rosaria, would you like to come in and see the house? Aunt Rosaria : No. Karin : But what is the matter? Why are you all against me?
I haven't hurt anyone. Why does everyone act like this? Aunt Rosaria : Why you do things like this? You are not modest.
Karin : But I haven't done anything wrong! However, the US version was eventually made without the director's input. Rossellini protested, and claimed that RKO's 81 minute version was radically different from his original minute version.
He sent a telegram to Joseph Breen , director of MPPDA 's Production Code Administration , urging him to compare the original script with the RKO version, as he felt that the religious theme he had written into the screenplay had been lost.
It lists credits that were missing in the first RKO version, but it still has as the production year, and the same MPAA number as the 81 minute version.
This indicates that the differences were resolved rather quickly. Some confusion surrounds the Italian release date of the film.
Modern sources list the release year as either or ,  but an Associated Press article dated March 12, reported that the film had not yet been shown publicly in Italy.
Stromboli is perhaps best remembered for the extramarital affair between Rossellini and Bergman that began during the production of the film, as well as their child born out of wedlock a couple of weeks before the film's American release.
In Italy, Stromboli was awarded the Rome Prize for Cinema as the best film of the year. Initial reception for Stromboli in America, however, was very negative.
Bosley Crowther of The New York Times opened his review by writing: "After all the unprecedented interest that the picture 'Stromboli' has aroused — it being, of course, the fateful drama which Ingrid Bergman and Roberto Rossellini have made — it comes as a startling anticlimax to discover that this widely heralded film is incredibly feeble, inarticulate, uninspiring and painfully banal.
Cut or not cut, the film reflects no credit on him. Given elementary-school dialog to recite and impossible scenes to act, Ingrid Bergman's never able to make the lines real nor the emotion sufficiently motivated to seem more than an exercise The only visible touch of the famed Italian director is in the hard photography, which adds to the realistic, documentary effect of life on the rocky, lava-blanketed island.
Rossellini's penchant for realism, however, does not extend to Bergman. She's always fresh, clean and well-groomed. Coe of The Washington Post lamented, "It's a pity that many people who never go to foreign-made pictures will be drawn into this by the Rossellini-Bergman names and will think that this flat, drab, inept picture is what they've been missing.
In Britain, The Monthly Film Bulletin was also negative, writing that Rossellini's "extempore method is sadly out of place in a film dealing with personal relationships and, although there are indications that Karin is intended to be a complex and interesting character, these are never developed, and her motives and actions remain unpredictable.
Early drafts of the story, an early edit of the film, and the original American release had her returning to her husband; Rossellini's cut, however, leaves her on the mountain.
The director later said that he didn't know what she did when the film ended, that he simply wanted to take her to a "turning point.
Tag Gallagher , in his copiously researched, lively, fascinating biography The Adventures of Roberto Rossellini points out that Stromboli reflects both Rossellini's and Bergman's lives: Bergman was pregnant with Rossellini's child; he felt he was helping her escape a stultifying marriage.
Gallagher also points out that, at the time Stromboli was made, Rossellini gave it an unmistakably Christian interpretation, saying that at the end "God [forces] her to invoke the light of Grace.
This is a bit of a paradox because Rossellini was not a conscious stylist. He was baffled when a French film student asked a specific question about the editing of one of his films, and later worried aloud that the student's films would resemble "algebra.
He favored no compositional or editing motifs. His images feature no particular use of angles or lines or flatness or depth. His juxtapositions of moving and still shots, of long shots and close-ups, seem to follow no system.
The only thing that is important is rhythm. He never expects whatever it is. What is important for me is the waiting. He does make meaningful visual choices.
Despite the mounting confrontations between Karin and Antonio and between Karin and the islanders, he rarely juxtaposes oppositional close-ups or even intercuts two people, one from the back, in traditional reverse-angle shot-countershot; when he does, the scenes have a powerful impact because they're so much at odds with the rest of the film's imagery.
Characters are mostly depicted in context: in two-shots showing both people in the conversation , in long takes in which a one-shot becomes a two-shot, in images that set figures within the spectacular landscape.
Karin seems also to be struggling to construct a new reality for herself in a postwar world, and in this regard her performance becomes a kind of interior, emotional neorealism.
Rossellini also uses editing to gesture us, as well as Bergman, toward a more all-encompassing embrace of the world, especially as a means of guiding us through the aspects of fiction and documentation present in his work.
It is difficult to imagine the work of Eric Rohmer who thought of Stromboli as one of the great Catholic films , especially something like Le rayon vert The Green Ray , , without the experimental example Rossellini sets here.
Today, Stromboli gets discussed most often in relation to its ending, which remains one of the most ecstatic religious epiphanies in all of narrative cinema.
Strabo writes that people believed that this is where Aeolus lived. A significant geological feature of the volcano is the Sciara del Fuoco "stream of fire" , a big horseshoe-shaped depression created in the last 13, years by several collapses on the northwestern side of the cone.
Mount Stromboli has been in almost continuous eruption for the past 2,—5, years. This Strombolian eruption , as it is known, is also observed at other volcanoes worldwide.
Eruptions from the summit craters typically result in a few short, mild, but energetic bursts, ranging up to a few hundred meters in height, containing ash, incandescent lava fragments and stone blocks.
Stromboli's activity is almost exclusively explosive, but lava flows do occur at times when volcanic activity is high: an effusive eruption occurred in , the first in 17 years, and again in , , and — Volcanic gas emissions from this volcano are measured by a multi-component gas analyzer system , which detects pre-eruptive degassing of rising magma, improving prediction of volcanic activity.
On 3 July , two major explosive events occurred at around local time, alongside 20 additional minor explosive events identified by Italy's National Institute of Geophysics and Volcanology.
A hiker near the volcano's summit was killed after being struck by flying debris when the eruption began. The two villages San Bartolo and San Vincenzo lie in the northeast while the smaller village Ginostra lies in the southwest.
In the early s a few thousand people inhabited the island,  but after several waves of emigration the population has numbered a few hundred since the mids.
From Wikipedia, the free encyclopedia. Redirected from Stromboli volcano. For other uses, see Stromboli disambiguation. Aeolian Islands , north of Sicily Italy.
Retrieved 20 July Global Volcanism Program. Smithsonian Institution. Retrieved 1 January