Entdecke die Filmstarts Kritik zu "The Limehouse Golem" von Juan Carlos Medina: Ein verblüffender Abschlusstwist kann einen erzählerisch ansonsten eher. Im Horrorthriller The Limehouse Golem erschüttert eine Mordserie, die einem übernatürlichen Wesen zugeschrieben wird, das viktorianische. The Limehouse Golem. |16 |1 Std. 49 Min.|Buchverfilmungen. Im viktorianischen London jagt ein Inspektor von Scotland Yard einen sadistischen Killer, der.
The Limehouse Golem – Das Monster von LondonEntdecke die Filmstarts Kritik zu "The Limehouse Golem" von Juan Carlos Medina: Ein verblüffender Abschlusstwist kann einen erzählerisch ansonsten eher. The Limehouse Golem. |16 |1 Std. 49 Min.|Buchverfilmungen. Im viktorianischen London jagt ein Inspektor von Scotland Yard einen sadistischen Killer, der. The Limehouse Golem – Das Monster von London ist ein britischer Horror-Mystery-Film von Juan Carlos Medina aus dem Jahr , nach einem Drehbuch von.
Limehouse Golem Movies / TV VideoThe Limehouse Golem - \ Peter Hampden. The Limehouse Golem Blu-ray. Bill Nighy. Love Again - Jedes Ende ist ein neuer Anfang.
He delivers a portrait of obdurate strength and sensitivity, shading scenes with a flicker of an eyelid or an extra watt of brightness in the eye itself.
If Nighy anchors the movie, Cooke does a marvelous job of tugging at that anchor. She pulls the movie toward deeply felt extremes of vulnerability, awe, bravado, and ambition without snapping its tether.
She has the wisdom to play Lizzie, a bastard child, as if the abuse of her guilt-ridden, God-fearing mother; the hard, scarring work of mending sails; and the assaults she suffers from her male customers on the docks have sharpened her humor and toughened her hide.
But what have these traumas done to her soul? Cooke nails every spot on the emotional spectrum of a role that has extraordinary range.
But when Lizzie determines to be frank and proud in the courtroom, she evokes the fierce rigor of Meryl Streep in A Cry in the Dark , the one movie in which Streep left all artifice behind.
Cooke was unsentimental and affecting in the quirky teen relationship film Me and Earl and the Dying Girl True, the music hall scenes exude high spirits from the start.
Cooke comes into her own when in true 42nd Street fashion Lizzie takes the stage to fill an unexpected gap in the playbill.
Inspector John Kildare Nighy is the investigative fall guy, assigned to an apparently unsolvable case that has gripped the public imagination but baffled the police.
A connection to the Ratcliffe Highway murders, about which Thomas De Quincey wrote , seems to offer a lead. The last of these is a journalist-turned-playwright whose board-treading wife, Elizabeth Olivia Cooke , now stands accused of poisoning her husband.
The bawdiness of it all was very important. Many acts would be a satirical take on the world. Dan Leno [played by Douglas Booth in the film] was a great example of this type of performance and he was amazingly popular; people would come from miles around to see him.
At the height of his career, he was one of the most highly paid performers in the world. Although originally designed for commoners, the music halls attracted very well-to-do people who wanted to come and witness the entertainment of the time.
The wealthy would traditionally be found in the galleries, while the ordinary people were down on the ground, in a sort of mosh pit.
It was more expensive to go into the galleries because you could walk around. There were, however, dark areas where the men could go with the prostitutes.
It was very seedy. It was a really horrific time for women. Domestic violence was rife: it happened every day. The good news is that there wasn't a violent serial killer called the Limehouse Golem.
However, some of the characters in the film are based on real people. Karl Marx features as a suspect in the film as does the very well known drag performer Dan Leno.
According to History Extra the film is based on Dan Ackroyd's book Dan Leno and the Limehouse Golem. Broken at this revelation, Kildare delays announcing the revelation that Cree was the Golem to the press until after Elizabeth is hanged, granting her the fame of eliminating the Golem rather than the greater fame of being a killer, which she would have desired more.
In the final scene, Dan Leno's troupe perform John's play, rewritten to tell Elizabeth's life story. Aveline, playing Elizabeth, dies accidentally during the hanging scene when the safety mechanism fails.
Leno covers up the death and dresses as Elizabeth to continue the play. He takes a bow, as we no longer see him, but Elizabeth herself on the stage.
Screenwriter Jane Goldman read the book years before she was a professional screenwriter and kept it in mind as a potential project.
I think it was the only time that I can remember when I read a book and thought, 'Gosh, I hope somebody makes a movie of this!
Weirdly, years later I was on a film jury together with the producer whom I had read had the rights and I asked him whatever happened to the adaptation and said that I loved the book.
That is how this came about, because he said the rights were free again and asked, 'Do you want to do it? It was announced on 17 April that Alan Rickman , Olivia Cooke , and Douglas Booth had been cast in leading roles for the film, to be directed by Juan Carlos Medina.
Johan Söderqvist composed the film's score. The Limehouse Golem received mostly positive reviews from film critics.
From Wikipedia, the free encyclopedia. For the novel on which this film is based, see Dan Leno and the Limehouse Golem.